Tuesday, October 30, 2012

MIDTERM


College has truly opened up my mind to a whole new level of thinking. There is so much more to dance, than just pointing your foot as hard as you can, or being able to kick yourself in the face. Each movement is controlled and isolated by different muscles, but the energy is whole body. I had a very hard time understanding this at the beginning of the year, and now I think I'm starting to get it. I am feeling the energy more, and starting to understand the parts I need to strengthen.

As a whole, my class works very hard to reach our full potential. I honestly can say I haven't seen one person slack off while taking Richards class. I believe one thing that we do well as a group is put in effort to be better each class. The level of confidence has gone up. With that said, the level of performance needs to start coming into play. I feel that in order to be able to perform we have to have some essential things; whole body energy, feeling light but also being engaged and not gripping, and lifting up in the pelvis and knowing how to use it in combinations traveling and in place, breathing, and feeling the music carry you from one movement to the next even when it's something that is seemingly simple like pliee, even if you forget a combination keep moving and don't get frustrated, let your body feel the mistake and correct it. Dance is suppose to be relieving, even when it's challenging, not frustrating. All of those aspects contribute to how we feel when we are dancing, and if we can master those, or at least have the idea and continue to practice the key components, we have room to truly be happy, which will bring out the personality and passion for this beautiful art.

I have a lot of different things that I feel like I've really improved on. Engaging my core has been an issue through out all my years of dancing and though I don't remember it all the time, I now know what it feel like, and looks like to engage. This helps me feel my allignment and know if the rest of my body is in its correct placing. Something I've also discovered is what it really means to lengthen and have energy coming up out of the head. When you lift up the energy through your head, it doesn't require you looking up to the ceiling more, it's about elongating the neck going from the back up through the back of the neck, and pressing the shoulders down, while engaging the back muscles, but not gripping. I have also become aware of the fact that my body is not semetrical, and won't ever be, and I can't try and force my turn out to be perfect because I am just not built that way. I have been focusing on staying true to my second. The one combination I am not terrified of, and actually enjoy to do now, is the fondu combination. Earlier in the year my hips would be cracking and popping and I'd be in so much pain, but I feel real improvement due to the fact that I know how to drop the pelvis, lift up through the whole body, engage my abs, stay true to MY turn out, and dance the movement! Never in all my life would I have thought that one "simple" movement required so much thinking. For the first time, I have been able to turn fairly well. I need to work on the stopping of the turn and what I need to do in order to do 42 pirrouettes in a row, and land oh so lightly in fifth position. One thing I really need to work on is finishing out movement completely, and finishing combinations completely and beautifully, even when I mess up. And if I do happen to screw up, not giving up and showing it on my face.

Overall, I am very happy with the improvement I've made. I am learning new things every single day and putting in all my effort to think, feel, and become a better dancer. I am excited to continue on this journey to use the lessons I learn in order for me to blossom in the dance world.

Dance Vocabulary Part Deux

Pas de bourrée
 
 
-bourrée step. It is both a traveling step, and can be executed in place.
 
 
Definitions of the different pas de bourrée:
 
Pas de bourrée dessous means to pas de bourrée under.
Pas de bourrée dessus means to pas de bourrée over.
Pas de bourrée devant means to pas de bourrée in front.
Pas de bourrée derrière means to pas de bourrée in back.
Pas de bourrée en avant means to pas de bourrée forward.
Pas de bourrée en arrière means to pas de bourrée backward.
Pas de bourrée bateau means to pas de bourrée boat-like.
 
 
HOW TO:
 
Pas de bourrée dessous
 
When doing a pas de bourrée dessous, you step up into the demi pointe, one foot stepping behind, then other foot executing side, and then finishing in front fifth, heels lowered.
 
Pas de bourrée dessus
 
When doing a pas de bourrée dessus, you step onto the demi pointe, crossing front, opening side, and finishing fifth postion back.
 
Pas de bourrée devant
 
When doing a pas de bourrée devant, you step into the demi pointe front, open side, and close with the same leg front.
 
Pas de bourrée derrière
 
When doing a pas de bourrée derrière, you step onto the demi pointe behind, opening up to the side, and closing with the same leg back.
 
Pas de bourrée en arrière
 
When doing a pas de bourrée arrière, you step up to the demi pointe in your fourth position backward, and then bring the front leg to meet the back, then the back leg closes fifth position back.
 
Pas de bourrée en avant
 
When doing a pas de bourrée en avant, you step to the fourth front on demi pointe, bring the back foot to meet the front and then close fifth front.
 
Pas de bourrée bateau
 
Pas de bourrée bateau is the combination of pas de bourrée en avant and pas de bourrée en arrière. When you do this step, instead of landing in fifth, the front foot, you Degagé the foot front, and then go right into the pas de bourrée en arrière, rocking back and forth in a boat-like way.

Dance Vocabulary


GLISSADE
-To glide. Starts front the fifth position and ends in the fifth position. Glissade serves the purpose of being able to travel and obtain momentum, height, and leisure.

Definitions of Different Types of Glissades:

Glissade derrière means to glide back.
Glissade devant means to glide in front.
Glissade dessous means to glide under.
Glissade dessus means to glide over.
Glissade en arrière means to glide backward.
Glissade en avant means to glide forward.


How to:
  
Glissade derrière

When doing a glissade derrière, the back foot is the initiator and the feet do not change. The initiator closes back. This step travels to the side.


Glissade devant

The front foot is the initiator and remains closing front. There is no changing of the feet when closing back into fifth position. This step travels to the side.

Glissade dessous

The front foot is the initiator and the feet change with the front foot closing in back to the fifth position feet. This step travels to the side.

Glissade Dessus

The back foot is the initiator and it changes to close landing in front. This step travels to the side.

Glissade en arrière

The back foot is the initiator and the same foot lands closed in back fifth. The difference between glissade en arrière and glissade derrière is where the weight shift goes. You travel only to the side when doing Glissade derrière. Glissade en arrière travels directly backward, on the croise, or efface.

Glissade en avant

The front foot is the initiator, and the same foot lands closed in front fifth. The difference between glissade devant and glissade en avant is the where the weight shift of the body travels. Glissade devant travels to the side, and glissade en avant can travel downstage, croise en avant, or efface en avant.